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[ad_1] Almost every other film made in Bollywood is a love story or has some element of romance. Hence, it is a genre that has been extremely beaten to death. Making a film on love that is novel and unconventional can be quite a difficult and even a risk, since the audiences might not accept something that they are not habituated too. Yet, Shoojit Sircar takes the risk with OCTOBER , which promises to be a ‘hatke’ love story. Moreover, Varun Dhawan , who has not had a flop film in his career and known for his massy films, features in this film in the lead role. So does OCTOBER manage to entertain and impress? Or does the risk fail to pay off? Let’s analyse OCTOBER is the story of an unconventional bond shared by two people in an extraordinary circumstance. Danish Walia aka Dan (Varun Dhawan) works in a five-star hotel in Delhi. He is arrogant and often argues with his seniors and even the guests. Shiuli (Banita Sandhu) also works there and both are friends but aren’t that close. On th

[ad_1] The city of Mumbai has been shown by countless filmmakers, even by Hollywood filmmakers [the classic example being the Oscar-winning SLUMDOG MILLIONAIRE]. But there’s still lot to the city that largely remains unexplored. Acclaimed Iranian director Majid Majidi now takes up the challenge of weaving a sensitive tale in the fabric of the maximum city and the result is BEYOND THE CLOUDS? So does this film manage to leave the audiences in awe like it happened in previous Majidi films? Or does the master director fail to impress? Let’s analyse. BEYOND THE CLOUDS is a story of hope and happiness in the times of despair. Aamir (Ishaan Khatter) is a young guy from Mumbai in his early 20s who peddles drugs for a living. One day, cops get on his trail and to escape their clutches, he seeks refuge at his sister Tara (Malavika Mohanan). He also gives her a drug package and tells her to hide it. Both Tara and Aamir are orphans and Aamir had separated from Tara after her ex-husband used to be

[ad_1] The success of GOLMAAL AGAIN has shown that horror comedies have immense potential in India. Now Faraz Haider, who last made a war comedy WAR CHOD NA YAAR [2013] attempts with this genre fusion in NANU KI JAANU . So does NANU KI JAANU follow in the footsteps of GOLMAAL AGAIN and provide humour and horror in ample doses? Or does it fail on both the fronts? Let’s analyse NANU KI JAANU is the story of a ghost that falls in love with a crook. Nanu (Abhay Deol) is a small time goon who works with Dabbu (Manu Rishi Chadha). Their modus operandi is to rent a flat and then threaten the landlord to transfer the ownership in their name. One day, Nanu is returning home when he sees that Siddhi (Patralekhaa) has met with an accident. He refuses to be a bystander and takes her to the hospital. Siddhi is barely conscious but she sees Nanu helping her and she falls for him. Unfortunately, she passes away as soon as she is brought in the hospital. Nanu gets disturbed by the episode. Soon he re

[ad_1] “Age is just a number” is a very old adage and many people swear by it. Despite their growing age, they prefer to keep the child inside them alive. The rest on the other hand feel that it’s better to come to terms with the old age and all the complications associated with it. R Balki handled this aspect beautifully in 2007 in CHEENI KUM wherein Amitabh Bachchan ’s character at 64 was all set to get married while his to-be father-in-law, essayed by Paresh Rawal , was younger than his to-be son-in-law and was all set to become a ‘senior citizen’. Amitabh now gets into a kind of a similar zone with 102 NOT OUT . So does it turn out to be an ideal family entertainer? Or does it fail to evoke fun and madness? 102 NOT OUT is an unusual story of a father and a son. Dattatraya Vakharia (Amitabh Bachchan) is a healthy old man at the ripe age of 102. He’s full of life and aims to live for 16 more years to break the record of the oldest man alive on Earth. His son Babulal ( Rishi Kapoor )

[ad_1] Terrorism is arguably the biggest threat to humanity and every major country is at their wits end on how to eradicate it completely. It’s no surprise that in Bollywood as well in Hollywood, plenty of films have been made that talk about terror attacks and other related aspects. Talking specifically about Bollywood, some very interesting flicks have tackled terrorism like DIL SE [1998], BLACK FRIDAY [2007], NEW YORK [2009], A WEDNESDAY [2008], THE ATTACKS OF 26/11 [2013], FANAA [2006], FIZA [2000], PHANTOM [2015] etc to name a few. Hansal Mehta now brings up OMERTA and this film promises to stand out from the rest as it talks about one of the most dangerous terrorists of the world. So does OMERTA manage to shock and awe? Or does it fail in its endeavour? Let’s analyze. OMERTA is the story of Omar Saeed Sheikh and how he emerged as one of the forces to reckon with. Omar Saeed Sheikh (Rajkummar Rao) is British-born who gets affected with the way Muslims got butchered in the Bosnian

[ad_1] In the past few years, Bollywood has churned out some very exciting spy films like AGENT VINOD [2012], PHANTOM [2015], BABY [2015], BANG BANG [2014], EK THA TIGER [2012], TIGER ZINDA HAI [2017], D-DAY [2013] etc. Most of these films also had the role of a female spy who looked like she meant business and would easily kick ass. Katrina Kaif ’s portrayal in the TIGER series is the most apt example. But imagine a spy who’s completely feminine replete with long, flowy hair and salwar kurtas et al. Anil Sharma did slightly touch upon this aspect in 2003 with his biggie THE HERO: LOVE STORY OF A SPY. Now Meghna Gulzar attempts to make a complete film on this aspect with RAAZI . So does it manage to engross viewers like the other spy films? Or does it fail in its endeavour? Let’s analyse. RAAZI is the story of a young girl from India sent to Pakistan as an undercover agent. The year is 1971. Pakistan is all set to make a surprise attack on India and the Indian intelligence is trying i

[ad_1] Back in 2016, we saw the release of an unlikely superhero film in the form of DEADPOOL. Back then the makers of the film took a gamble and kept the film R-rated to do justice to the foul mouthed ass kicking, quick witted and sarcastic superhero Deadpool. The film which released amid much fanfare went on to work brilliantly well at the box office, warranting a sequel. Now a couple of years on and we see Ryan Reynolds, yeah the same guy from the forgettable and regrettable GREEN LANTERN, return to the big screen with DEADPOOL 2. But will the sequel work its magic at the box office, or will it like so many other franchise sequels bite the bullet is the question. DEADPOOL 2, starts off with the foul-mouthed mutant mercenary Wade Wilson (A.K.A. Deadpool), blowing himself to pieces after a tragedy only to be rescued by Colossus, who is on a mission to enroll Deadpool at Professor Charles Xavier’s home for the gifted, and eventually into the X-Men. However, Deadpool being well basicall