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[ad_1] Post the shocking Nirbhaya gang rape in 2012, a major section of the society has begun to see the problems faced by women more seriously and in a new light. It has also led to Bollywood making multiple films on this subject. PINK , MAATR and MOM dealt with this growing menace in recent times and now Sanjay Dutt choses this hard-hitting topic for his comeback film, BHOOMI . So does this film turn out to be an entertaining one or does it fail, let’s analyse. Arun ( Sanjay Dutt ) is a widower based in Agra who has single-handedly raised his daughter Bhoomi ( Aditi Rao Hydari ). An eligible boy Neeraj (Sidhant Gupta) gets interested in Bhoomi and she too falls for him. Arun is happy with this union. However, Vishal (Puru Chibber) from her neighbourhood loves her too. He asks her out few days before the wedding. An enraged Bhoomi slaps him. Vishal narrates about his ordeal to his cousin, the evil Dhauli (Sharad Kelkar). He instigates him to kidnap Bhoomi and then rape her. Vishal

[ad_1] There’s a foodie hidden in all of us. Hence, films based on food can work big time with the audiences. In the past, SALAAM NAMASTE, CHEENI KUM and LUV SHUV TEY CHICKEN KHURANA too dealt with food as the subject and impressed the viewers. CHEF , as the title suggests is a ‘food film’ of sorts and what’s more, it also speaks about the challenges faced by parents and children that is a burning and a very relatable topic. So does CHEF impress or does it fail to entertain the audiences, let’s analyse. CHEF is the story of a father who connects with his son during a fun gastronomical trip across India. Roshan Kalra ( Saif Ali Khan ) is a chef in New York. He is divorced and his son Armaan (Svar Kamble) stays with his mother Radha Menon (Padmapriya Janakiraman) in Cochin. Due to his work commitments, Roshan finds it difficult to come down to Cochin and spend time with Armaan. Roshan also has a high temper and one day he punches a customer who complains about his cooking. Roshan is fire

[ad_1] Over the recent couple of months or rather years, we have been seeing a rise in the number of old classics being remade with the latest technology. But are these recreations worth their while or are they just an eye candy is a pertinent question. This week we see the release of yet another film, BLADE RUNNER 2049, from the days gone by getting new life breathed into it. But will this recreation work at the box office or will it like so many others before it, be lost is the question of the hour. The film starts off by setting the premise by depicting a world in 2049 that has been ravaged by humanity. After the development of humanoid artificial intelligence that has begun to become sentient a new generation of human- robot hybrids are developed which follow commands. From them a certain segment is categorized as Blade Runners whose sole purpose is to hunt down and ‘retire’ the older models. The story of BLADE RUNNER follows a young blade runner’s discovery of a long-buried secret

[ad_1] It’s 2017, yet it’s not uncommon to see that many don’t have the liberty to pursue the dream of their choice. SECRET SUPERSTAR , helmed by first-time director Advait Chandan, tells one such extra-ordinary story and emphasizes that exceptional talent can’t be hidden or suppressed – it’s bound to come to the fore some day. An Aamir Khan production is special. Recall the films the reputed production house has produced over the years. The expectations from SECRET SUPERSTAR are obviously sky-high. Does it live up to those expectations? Does Advait deliver as a storyteller? Let’s get to the point right away: SECRET SUPERSTAR is one of the finest films of the year, no two opinions about it. SECRET SUPERSTAR narrates the story of an aspiring singer who faces roadblocks in fulfilling her dream. Insia [Zaira Wasim] is a school-going girl based in Vadodara. She has a lovely voice and dreams of being a top singer. Her mother Najma [Meher Vij] supports Insia’s dream, but her father Farookh

[ad_1] While there have been a lot of comedy films in Bollywood, horror comedy as a genre is rarely explored in Bollywood. BHOOL BHULAIYAA was one such rare attempt and it was loved big time. In recent times, GREAT GRAND MASTI also dealt with horror but it was more of a sex comedy than exactly a horror comedy. TUTAK TUTAK TUTIYA on the other hand never found awareness due to bad marketing campaign and as expected, sank without a trace. Now makers of GOLMAAL AGAIN take up the challenge of giving the audience a combo of laughs and terror. So does it give the audience a great time? Or does it fail to impress? Let’s analyse GOLMAAL AGAIN is the story of five friends who encounter strange occurrences when they visit their orphanage. Gopal ( Ajay Devgn ), Madhav (Arshad Warsi), Lucky ( Tusshar Kapoor ), Laxman Prasad Apte (Shreyas Talpade) and Laxman Sharma (Kunal Kemmu) are orphans who grew up in an orphanage owned by Jamnadas (Uday Tikekar). As kids, they were close to each other but then

[ad_1] Road trip has been a favourite genre for filmmakers across the Bollywood and our Bollywood makers are no exception. But in our films, it’s usually the guys (ZINDAGI NA MILEGI DOBARA, DIL CHAHTA HAI) that are travelling or a group (PIKU, YEH JAWAANI HAI DEEWANI, DIL DHADAKNE DO), or in some cases only the hero and the heroine (JAB WE MET, TAMASHA) that are going around and making merry. We have never a female road trip film, though QUEEN was a story of a girl but it can’t really come under the road trip genre. Howard Rosemeyer attempts to make the first female road trip film of Bollywood. So does it entertain and motivate viewers to pack their bags and go on a holiday or does it highly disappoint? Let’s analyse. JIA AUR JIA is the story of two girls with the same name but contrasting personalities. Jia Venkatraman (Richa Chadha) is a banker who’s demure, serious and running from a troubled past. Jia Garewal ( Kalki Koechlin ) on the other hand is carefree and free-spirited. They

[ad_1] Back in 2011, we saw the release of the film THOR featuring Chris Hemsworth as the God of Thunder, later in 2013 we saw him return in THE DARK WORLD and save the earth with assistance from his brother Loki (Tom Hiddleston). Since then we have seen the God of Thunder return as a part of the Avengers series where he fought alongside earth’s mightiest warriors to defend the planet again from Ultron. Well, now we see him return to the big screen with the film THOR: RAGNAROK. But will the film which is the third in the series work as a ‘Marvel’ at the box office or will it like some of the other sequels fail to match up to the previous films. Let’s analyse. First off, THOR: RAGNAROK starts off with the God of Thunder imprisoned on the other side of the universe. Here he finds himself in a race against time to get back to Asgard to stop Ragnarok, the destruction of his home world and the end of Asgardian civilization, at the hands of an all-powerful new threat, the ruthless Hela (Cate

[ad_1] Whodunit and suspense is a loved genre across all sections of moviegoers. Bollywood however rarely churns out such films. Films like GUPT, KAUN, TALAASH, RACE etc. have been loved and had an intrigue value as these had the suspense element. Now ITTEFAQ , a remake of the 1969 film of the same name, is out and also promises some great suspense-laden entertainment. So does it shock the audiences or turns out to be a boring, predictable fare? Let’s analyse. ITTEFAQ is the story of a two strangers who meet one night amidst killings and double crossings. Vikram Sethi ( Sidharth Malhotra ) is an acclaimed writer from London who is India for the launch of his third book. He goes to the hotel room post the event and finds that his wife Katherine (Kimberley McBeath) is no more. He calls the cops who try to frame him for the death. A paranoid Vikram runs away and takes refuge in the house of Maya ( Sonakshi Sinha ). When cops reach Maya’s residence, they realize that even her hubby Shekhar

[ad_1] It’s a time when rooted stories based in small towns and the ‘real’ India is working big time. This year, films like SHUBH MANGAL SAAVDHAN and BAREILLY KI BARFI did very well and one of the reasons for their success is the realism rooted in their narratives. SHAADI MEIN ZAROOR AANA is also a content-driven rooted film that also balances by telling a love story as well as a dramatic, confrontational tale. So does it manage to entertain or fails to entice viewers? Let’s analyse. SHAADI MEIN ZAROOR AANA is the story of a guy who avenges the humiliation he faced during his wedding day. Satyendra Mishra aka Sattu (Rajkummar Rao) is based in Lucknow and is about to join the excise department. His family decides to arrange his marriage with Aarti Shukla (Kriti Kharbanda). Aarti is a bit confused as she feels that marriage might come in the way of her ambitions. But she gels very well with Sattu who in turn falls for her. On the day of the marriage, Aarti’s sister Abha (Nayani Dixit)

[ad_1] The dynamics of relationships have undergone a change but it’s not reflected in most of our films. Tanuja Chandra takes up the challenge with QARIB QARIB SINGLLE and with this slice of life saga, she attempts to talk about the various facets of dating in today’s world. So does it connect with the viewers or fails in entertaining them? Let’s analyse. QARIB QARIB SINGLLE is a story of two people who meet on a dating website and their journey across the country. Jaya (Parvathy Thiruvothu) is a 35 year old widow who feels a void in her life. She signs up on a dating website and meets a 40 year old poet Yogi ( Irrfan Khan ). He’s quirky, talkative and diametrically opposite to Jaya. But Jaya feels connected to him. Yogi claims that he has dated three girls in his life and they all miss him a lot still. Jaya tells him that he’s simply bragging. Yogi however remains adamant on his claims and tells her to join him in meeting them. Jaya refuses at first but then agrees. How this trip tak

[ad_1] Five years ago, Gauri Shinde in her directorial debut ENGLISH VINGLISH told a wonderful story of an enterprising housewife. What’s surprising is that there are millions of such women in India but very few films have been made on them. Suresh Triveni now takes up the challenge to talk about a housewife in TUMHARI SULU . But unlike ENGLISH VINGLISH, this one is more light-hearted and funny. So does it manage to touch audiences and make them smile or does it disappoint? Let’s analyse. TUMHARI SULU is the story of an enterprising housewife who turns RJ with a late-night semi-adult radio show. Sulochana ( Vidya Balan ) is a homemaker in Mumbai and is happily married to Ashok (Manav Kaul) and also has a son, Pranav (Abhishek Sharrma). Sulochana has a strong desire to do something in life and not waste her time just serving her family. One day, she wins a pressure cooker on a radio show hosted by the popular RJ Albeli Anjali (Malishka Mendonsa). Sulochana goes to collect the cooker an

[ad_1] Though the tastes of the society has evolved, a suspense, erotic film that promises loads of skin show still has its share of audiences. MURDER [2004] was a game changer in this regard but many films later failed in this genre. Yet, these are seen as safe prospects and hence, they continue to be made. AKSAR 2 is a latest film that guarantees sex as well as thrill, just like its first part that released in 2006. So does AKSAR 2 manage to satisfy viewers or turns into a disappointing flick? Let’s analyse. AKSAR 2 is the story of a governess of an ageing billionaire lady and how she becomes a pawn in the hands of those who want to steal her wealth. The governess of the ageing billionaire Mrs. Khambatta (Lillete Dubey) dies under mysterious circumstances. Her financial manager Pat (Gautam Rode) is asked to fill the vacancy immediately. Sheena Roy ( Zareen Khan ) is hired for the job. Despite Khambatta wanting an elderly lady, Pat manages to convince her to give Sheena a chance. Howe

[ad_1] The craze for DC comics and its characters is unparalleled. Ever since the DC Extended Universe films are out, it has created a lot of buzz despite not so favourable response for MAN OF STEEL and BATMAN VS SUPERMAN: DAWN OF JUSTICE. However, SUICIDE SQUAD was loved while WONDER WOMAN that released earlier this year got loads of appreciation. Now, the fifth film, JUSTICE LEAGUE, is out and does it manage to meet the humongous expectations? Or does it emerge as a letdown like the first two DC films? Let’s analyse. JUSTICE LEAGUE is the story of a group of superheroes coming together for a greater cause. After the death of Superman (Henry Cavill), Bruce Wayne aka Batman (Ben Affleck) and his new found ally Diana Prince aka Wonder Woman (Gal Gadot) assemble a team of heroes and outcasts consisting of Barry Allen aka The Flash (Ezra Miller), Arthur Curry aka Aquaman (Jason Momoa) and Victor Stone aka Cyborg (Ray Fisher). Their mission is to defeat Steppenwolf (Ciarán Hinds) and his a

[ad_1] There are a number of things that go into making a movie entertaining for the viewers and eventually a box office success. While some have cracked this formula, there are others who struggle with it. However in the case of an animated film, the rules are different, as apart from the usual list of factors that work in favour of a film, there is a whole list of other aspects that help bring to life what the viewers sees on screen. This week’s release COCO falls squarely in this bracket of animated films that try to bring to life a make belief world while at the same time, entertain the viewer. COCO that comes from the very capable animation farm Disney Pixar, comes pre-attached with expectations of past Disney – Pixar successes that have not just entertained us but have become films that will live on for a long time. But the question of the hour is, will Disney-Pixar’s latest celluloid marvel COCO, prove to be one among the few that have managed to enthral the audience or will it