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[ad_1] Director Luv Ranjan shot to fame with a surprise hit, PYAAR KA PUNCHNAMA, in 2011 and the highlight of the film was the bromance between the three new but attractive male leads: Kartik Aaryan , Divyendu Sharma and Raayo S Bakhirta. The film’s success was based on the fact that it was light, youthful and played on the fun stereotypes about women and dating. Now, the filmmaker is back with yet another film with his favourites: Kartik Aaryan, Sunny Singh and Nushrat Bharucha. Yes, and it is love triangle but with a twist. SONU KE TITU KI SWEETY (SKTKS) is a clash between Romance Vs Bromance. The undercurrent here though is the same: Is the dosti between men more precious than a romantic liaison with a woman? Find out here. The movie revolves around Titu (Sunny Singh) who is a hapless victim of romance. A perpetual lovesick puppy, he falls in love way too easily and gets his heart broken at the drop of his hat. Sonu (Kartik Aaryan), his street-smart, suave pal is his saviour. He li

[ad_1] WELCOME TO NEW YORK (WTNY), directed by Chakri Toleti and produced by Vashu Bhagnani’s Puja Films releases this week along with Luv Ranjan’s SONU KE TITU KI SWEETY . WELCOME TO NEW YORK stars Sonakshi Sinha , Diljit Dosanjh and Karan Johar in pivotal roles and has an entire entourage of Bollywood A-listers making cameos as it is based against the backdrop of IIFA Awards. The film is meant to be a satire on the Hindi film industry and the two leads Diljit and Sonakshi play underdogs who make it big in Bollywood, despite coming from a humble background. The movie is about a sloppy recovery agent Teji (Diljit Dosanjh) who dreams of being an actor and a ‘dhinchaak designer’ Jinal (Sonakshi Sinha) who wants to escape from her dreary life. They win a contest and are selected to showcase their talent at the IIFA Awards by Sophie ( Lara Dutta ) who is a part of the organising team spear headed by Gary (Boman Irani). Sophie purposely selects the ‘two losers’ Teji and Jinal in order to

[ad_1] When India got independence in 1947, it was a challenge for those who assumed power. After all, they had to start from scratch in several areas and aspects. These challenges continue till date but it’s heartening to see that despite a lot of hurdles, India has made great progress in a lot of fields. One of the achievements was becoming a full-fledged nuclear state and this happened due to a series of nuclear tests carried out in Rajasthan town in 1998. The entire story behind these nuclear tests is quite fascinating and surprisingly, no filmmaker had picked it up in these two decades. Finally, actor-producer John Abraham took the challenge and has come out with PARMANU – THE STORY OF POKHRAN . So does the film turn out to be an engaging and thrilling fare? Or does it fail in its endeavour? Let’s analyse. PARMANU – THE STORY OF POKHRAN is the story of those people who secretly carried out a series of nuclear bomb test explosions in Pokhran on May 11, 1998. Ashwath Rana (John Abr

[ad_1] Anushka Sharma and Parambrata Chatterjee are all set to spook us with their latest offering: PARI – NOT A FAIRYTALE. Mysterious title, scary teasers (nay, screamers) and a promising cast urge us to believe that Anushka’s experiment with horror is going to be rather interesting. The movie is produced under the actress’s banner Clean Slate Films along with Prerna Arora’s KriArj Entertainment. It is directed by the first time director Prosit Roy who also assisted on the sets of PHILLAURI . We have not seen a really good horror movie since long and so will PARI fit the bracket with its perfectly scary, sleek appeal? Let’s find out. The makers were extremely careful so as to not let any plot details out before the release and hence went easy with their promotions. There is an element of mystery in the story which is NOT let out by its teasers. The film set in Kolkata, is about Rukhsana (Anushka Sharma) who is an orphaned woman. The story builds on the mystery about Rukhsana and we

[ad_1] It is known that the remakes and reboots are kind of Hollywood’s thing. In the recent past, many remakes like JUMANJI and MURDER IN THE ORIENT EXPRESS have made its way to the big screen. While some have done a little justice to the original movies, others have failed to impress the audience. Going on the same lines is the Bruce Willis’ gritty violent action-thriller, DEATH WISH, a remake of 1974 controversial film. For the uninitiated, the original DEATH WISH film starred Charles Bronson, Hope Lange, Vincent Gardenia, Jack Wallace, and Stuart Margolin among others. The original film was a dark drama which revolved around a man who becomes a one man vigilante after his wife’s murder and assault on his daughter. Will this Bruce Willis version of the film impress the audiences? Lets analyse. DEATH WISH (2018) follows the story of a doctor Paul Kersey (Bruce Willis) who is leading a normal life working in an ER in Chicago until tragedy hits him. His wife Lucy Kersey (Elisabeth Shue

[ad_1] HATE STORY has been a very successful franchise, with HATE STORY 3 [2015] doing huge business at the box office. So does HATE STORY IV also manage to entertain like the previous parts? Or does it falter like the recent adult flicks? Let’s analyse. HATE STORY IV is the story of a girl who causes a rift between two brothers. Tasha ( Urvashi Rautela ) comes to London to become famous but is unable to find success. Luck favours her when she meets Rajveer (Karan Wahi), a photographer who is also a womaniser. He is floored by Tasha’s glamorous appeal and recommends her to his brother Aryan (Vivan Bhatena) and his girlfriend cum business partner Rishma (Ihana Dhillon), both of whom are looking for a fresh face for their upcoming cosmetic brand. Tasha is signed and she becomes famous. Both Aryan and Rajveer start lusting after Tasha and try to get close to her. Meanwhile their father Vikram Khurana (Gulshan Grover) is running for London Mayoral elections and he has cautioned the brother

[ad_1] Taapsee Pannu has had a good run at the box office lately. She got critical acclaim with Amitabh Bachchan starrer PINK in 2016 and since then her career has seen an upward trajectory. JUDWAA 2 with Varun Dhawan and Jacqueline Fernandez saw commercial success while NAAM SHABHANA got her critical acclaim. She also did a few South films which earned her accolades from masses. Now, she is back with a romantic comedy, DIL JUUNGLEE, which is presented as your typical rom-com fare. Taapsee Pannu is joined by Saqib Saleem in this flick. But does the film manage to impress at all? Find out here. The story revolves around its two lead characters Koroli Nair (Taapsee Pannu) and Sumit Uppal (Saqib Saleem) and the way they meet, fall in love and live happily ever after. Bored already? Pannu essays the role of a rich London-based girl who comes to New Delhi to become a teacher. English literature is her calling and her character is a prototype of a typical ‘poor little rich girl’. Saqi

[ad_1] Director Raj Kumar Gupta is known for making critically acclaimed movies like AAMIR and NO ONE KILLED JESSICA. And now he is back with RAID starring Ajay Devgn . So, the expectations from the movie are high and well justified too. So let’s find out if RAID lives upto those expectations or not. RAID, the title itself is self-explanatory. But for the uninitiated, the plot revolves around the no-nonsense, honest-to-the-core Income Tax officer, Amay Patnaik (Ajay Devgn), and his quest to raid all the top notch businessmen, henchmen and politicians of the country defaulting on the Income Tax. Rameshwar Singh AKA Tauji ( Saurabh Shukla ), a typical greasy politician is his nemesis. Together, they begin a cat and mouse chase kind of game which results in amazing twists and turns as the film progresses, keeping masses at the edge of their seats, waiting for more. Amay’s target is to recover a whooping amount of Rs. 420 crores which Tauji has hidden away in his ‘white house’. As the fil

[ad_1] Today almost every film that hits screens comes along with loads of visual effects and CGI that promise to leave the viewer spell bound. Well, this week, we see the release of one such film, PACIFIC RIM: UPRISING, which heavily relies on visual effects to not just take the story forward but also to give the viewer a complete cinematic experience on a larger than life canvas. The film is a sequel to 2013 release PACIFIC RIM that created quite an impact with its massive mech warriors going head to head with alien life forms that threaten to destroy earth as we know it. But will it manage to live up to the expectations that have been created by the first, or will it buckle under the pressure, is what we analyse. PACIFIC RIM: UPRISING is set 10 years after the epic ‘Battle of the Breach’ which acted as the climax of the 2013 release. With a brief recap of what transpired in the first film, the sequel dives head first into telling a new tale on epic proportions. With the cataclysmic

[ad_1] Rani Mukerji is all set to make a smashing comeback after over four years with yet another woman oriented movie: HICHKI produced by Yash Raj Films and directed by Siddharth P. Malhotra. Judging by its trailer, the film gives out positive, feel good vibes as it is the story about a teacher who turns her biggest weakness into her strength. Is the movie as good as it looks? Read on our full review to find out. The story of the HICHKI revolves around Naina Mathur (Rani Mukerji) and her earnest struggle to break into her dream career of teaching while battling Tourette’s syndrome. After much trepidation and tussle with management and Principal (Shiv Subramanium) of a fancy public school, she lands a job as a teacher. The glitch here is that she is given a class full of mischief makers as students. The challenge comes in form of these unruly kids and of course, her own physical shortcoming. First, it starts with the students resisting her efforts, pulling pranks on her, absolutely

[ad_1] Extra marital affair is arguably as old as the institution of marriage. A lot of films have already been made on this aspect. But take a look at various newspaper articles on extra-marital affairs and you’ll realize that some of them don’t go the conventional way and twisted and weird developments do take place. BLACKMAIL, directed by DELHI BELLY director Abhinay Deo, attempts to tell one such tale and as per the makers, it is inspired from a true story. So does BLACKMAIL manage to entertain with its novel storyline? Or does it turn out to be a disappointing fare? Let’s analyse. BLACKMAIL is the story of a bored and in-debt husband who devises a bizarre idea when he finds out that his wife is having an extra marital affair. Dev Kaushal ( Irrfan Khan ) works for Boss DK (Omi Vaidya) at My Handy, a toilet paper company. He is married to Reena ( Kirti Kulhari ) and their marriage has lost the spark. He prefers being in the office till late and playing games on the computer rather

[ad_1] Almost every other film made in Bollywood is a love story or has some element of romance. Hence, it is a genre that has been extremely beaten to death. Making a film on love that is novel and unconventional can be quite a difficult and even a risk, since the audiences might not accept something that they are not habituated too. Yet, Shoojit Sircar takes the risk with OCTOBER , which promises to be a ‘hatke’ love story. Moreover, Varun Dhawan , who has not had a flop film in his career and known for his massy films, features in this film in the lead role. So does OCTOBER manage to entertain and impress? Or does the risk fail to pay off? Let’s analyse OCTOBER is the story of an unconventional bond shared by two people in an extraordinary circumstance. Danish Walia aka Dan (Varun Dhawan) works in a five-star hotel in Delhi. He is arrogant and often argues with his seniors and even the guests. Shiuli (Banita Sandhu) also works there and both are friends but aren’t that close. On th

[ad_1] The city of Mumbai has been shown by countless filmmakers, even by Hollywood filmmakers [the classic example being the Oscar-winning SLUMDOG MILLIONAIRE]. But there’s still lot to the city that largely remains unexplored. Acclaimed Iranian director Majid Majidi now takes up the challenge of weaving a sensitive tale in the fabric of the maximum city and the result is BEYOND THE CLOUDS? So does this film manage to leave the audiences in awe like it happened in previous Majidi films? Or does the master director fail to impress? Let’s analyse. BEYOND THE CLOUDS is a story of hope and happiness in the times of despair. Aamir (Ishaan Khatter) is a young guy from Mumbai in his early 20s who peddles drugs for a living. One day, cops get on his trail and to escape their clutches, he seeks refuge at his sister Tara (Malavika Mohanan). He also gives her a drug package and tells her to hide it. Both Tara and Aamir are orphans and Aamir had separated from Tara after her ex-husband used to be